Friday, August 18, 2017
Meanwhile, she settles in to her new home, quickly makes friends, and finds herself alternately attracted and repelled by Porter, the son of a local surfing legend. Soon, that relationship takes off, placing Bailey in a jam between her former crush on Alex and her burgeoning relationship with Porter.
Now, of course, the identity of "Alex" is pretty easy for a reader to figure out, so it is the one plot point that can't keep the novel together (nor can it be resolved too soon). Instead, the story is filled out with the usual romantic stuff (featuring a few pretty hot scenes, but otherwise average), some quirky family members, an embittered and unstable bully, and a few unresolved threads (like Bailey's absent mother). Bennett relies on lots of action to keep the story going. What gets lost in this approach is the human growth story: Bailey's transition from being a conflict-avoiding "artful dodger" to learning to take risks. It's lost amidst all of the other plotlines and spottily developed.
There are two things Cammie is known for – being the the daughter of the warden and being the girl whose mother was killed by a milk truck twelve years ago when Cammie was still a baby. Now, in the summer of 1957, as Cammie is about to enter Junior High School and become a teenager, Cammie has only one thing on her mind – she wants a mother. And she knows exactly who she wants: Eloda – their maid and a convicted felon finishing up her sentence at the jail.
That Eloda doesn’t quite return the interest doesn’t dissuade Cammie from her mission. But in this summer of Elvis and American Bandstand and Sputnik, Cammie will learn some powerful lessons about love, loss, and serving her time.
An extremely well-written work by an established master (he’s got a Newbery and a Newbery Honor, and he’s the author of Stargirl – one of my all-time faves). The book has lots of things going for it. Spinelli captures the details of time and place well. The characters are compelling, although Cammie herself can be hard to like as she makes many mistakes and is so angry. And the emotional whammy at the end is breathtaking – the sort of climax that takes you completely by surprise.
The story is a bit mature (not in terms of subject matter, but in format and delivery) and one could worry that this is likely to be banished to Book Report Land (like, The Book Thief). Hopefully, kids will discover it's also a fun story!
Friday, August 11, 2017
But while training for the mission, her group comes under a surprise attack and Noemi ends up on an old wrecked vessel. There, she comes across an abandoned mech (android) named Abel. Mechs are a common tools for Earth's people, doing their labor and fighting their wars, but this is not an ordinary soldier or servant. He's stronger, smarter, and has developed a sense of self that is almost human.
Despite a strong mistrust of each other, the two of them embark on a mission to save Genesis (and maybe Earth as well) that takes them through several universes and adventures. As one would expect from such a girl-boy set up, there's a relationship brewing as well, but not necessarily with the ending that one expects. Mostly, their journey takes them to mutual understanding and some personal growth.
Nicely written and lively, the novel doesn't do much downtime. Whenever one issue is resolved, Gray introduces another one. There was a lot of potentially interesting stuff to be made out of having a girl with no faith in her future meet a "boy" with lots of future in front of him.
But the human growth story is fairly smothered in the fireworks of sci-fi cliche. All the usual elements are present, from "blasters" to tractor beams to wormholes and star gates to robots acquiring humanity. It's comfortable ground, but all very formulaic.
Saturday, August 05, 2017
Then, one evening, walking on the beach with Samir, they find a dying man. He's delirious and speaking Arabic. In a split moment, they decide to rescue him and, at Samir's urging, hide him away. Now, they struggle to keep him alive and hidden, while they figure out some way to save him. But as teens living in a small British coastal town, they don't have many resources.
It's a book with a definite agenda and mission: to raise awareness about the refugee crisis, which is of course quite topical (especially in Europe). It's a little hard for me to picture Alix being so naive and uninformed about the state of the world, but doing so allows Halahmy to lecture the reader about the situation (I also assume that Halahmy is pitching the situation softly to make it more palatable to adult readers, who may feel the material is inappropriate for children). As for the story itself, it is lively, but a bit hard to track due to cultural differences (parental, teacher, and even law-enforcement behave strangely in this world). I found it all a bit odd, but certainly readable.
Friday, August 04, 2017
However, the anonymity of the podcasts turns out to be a crucial ingredient and, as it is cracked open, Frances discovers disturbing truths about Aled and about herself. The publicity threatens not only to destroy the joy that Radio Silence brings her but also causes her to question every thing else she's ever valued.
Quirky and engrossing, Oseman's second YA novel creates a unique world with vibrant and authentic characters. The mood is dark and gloomy, but the story is fast-paced and never boring. I didn't really see the appeal of the podcasts, but I didn't need to in order to appreciate the characters and their motivations.
Getting busted for shoplifting with her best friend threatens to ruin Tatum's entire summer. Forced to do community service during the day, she is kept under virtual house arrest by her stepmother. That’s OK, since her best friend isn’t talking to her.
Tatum is miserable – her Dad’s gone away on business for the summer and her stepmom and stepsister are horrid to her. But she still has plans and ideas: starting a web design business, a guy she corresponds with, and her stepgrandmother who revels insights and secrets that help Tatum solve her problems.
Ostensibly inspired by Cinderella, Tatum is a lot more self-reliant than a fairy tale heroine. She uses her wits, hard work, and a lot of personal drive. She also has a strong enough character to forgive others and move on with her life and not overly dwell on her misfortunes. All of which are very useful character skills that the author holds up as life-transforming.
The story suffers from a lack of background development. Tatum misses her friend, but given that we never see much of their friendship, it is hard to understand why. And even the romantic story seems underdeveloped and lacks spark. The ideas are all there, but aside from each character’s assertions, there’s no evidence to back up the motives.
Friday, July 28, 2017
In the meantime, her sister is trying to stage a production of The Vagina Monologues at school and Syd can't imagine anything more embarrassing. She understands her sister's fervor and even agrees that girls need to speak out for their rights. But do they really need to be talking about sex and their girl parts, and using those words? For Sydney, there is nothing more dangerous than the minefield of sexuality, especially her own.
At times pedantic about sex (and religion to a lesser extent), Lieberman's novel is at its strongest with Sydney herself and with illustrating her struggle with depression. This is sensitive stuff and handled well, allowing Syd to have wishes and desires, yet feel restrained by all sorts of fears. I loved the give and take between strength and vulnerability -- how she can be so terrified of Paul at one point, yet willing to come back and fight to overcome those fears. The story would have been even better if Lieberman had let Sydney tell her story without so many adult voices intervening -- she's smart, interesting, and capable of expressing herself. I wanted to hear more.
There isn't much of a theme to this conclusion of the To All the Boys I've Loved Before series, as much as a grand housekeeping and capstone of the tale. As a way to once again experience the Song sisters and their family and friends, this is a delightful continuation of a well-loved series. But as a literary work in its own right, it has little new to offer.
Still, I always enjoy Jenny Han's books. She continues to be a master at depicting characters from different generations in a respectful and honest way. Her kids are kids and her adults are adults. No one is perfect, but no one is a straw man either. The subplot involving the tensions between Trina and Margot is particularly noteworthy. Truth be told, neither adult nor child behave well and Han just presents it warts and all. In a similar vein, Lara Jean and Peter's relationship continues to evolve as it is stressed by their impending separation in crowd-pleasing, yet realistic ways. In general, Han doesn't do dull or shallow characters, but instead populates her stories with people of all ages who are believable and interesting.
It's a story full of loose ends which peter out maddeningly without much resolution. Complicating the storytelling is an odd lexicon that Long uses, swapping dozens of words with others (e.g., "freckles" for friends, "boiled" for bad, ironically "trump" for truth, etc.). This gets distracting and grating and is never really explained that well (there's some brief mention at the end about using a code to obscure the story). Fewer concepts and gimmicks and more story would have made this a better read.
Friday, July 21, 2017
The story begins inauspiciously as Washington's trusted aide-de-camp, Alexander Hamilton comes bearing grave news and earns the immediate disdain of the Schuyler girls. While he is charming, he has no real family or wealth and is an undesirable suitor. History, however, tell us it all ended up well in the end (for love at least) and de la Cruz's fictionalized re-telling of the courtship of Alex and Eliza imagines how it all came to pass.
Richly detailed, the author goes through great pains to provide the political background and social realities of life in the Colonies during the Revolutionary War. That she lets some anachronisms and inaccuracies slip in seems more driven by a desire to make this trip enjoyable rather than errors on her part. This is not history, but simply a delightful romance, set in eighteenth century parlors. Less fortunately, I didn't actually find any of the characters compelling. This is a shame because I would have enjoyed the romance more if I had bonded with Eliza or Alex., who instead seemed too stiff to really care about. Still, I was swept away by the setting and the story itself. This is the kind of historical fiction that will make a reader more interested in history itself.
Lila and Robert married and had three daughters together. After they divorced, each of them remarried and had an additional child each with their second spouse – Sasha and Ray – who were born around the same time. Now both seventeen, Sasha and Ray share the same half-sisters and even the same room at the beach house on Long Island.
However, the antagonism between their once-joined mother and father keeps them forever separated. As a result, they have never crossed paths. But ironically, their shared blood ties link them together nonetheless in an intimate way that borders on incest. Meanwhile, the artificial (and legally-driven) isolation of the two families – sharing space but never at the same time – obscures scars and wounds that only a tragedy can break open.
Ostensibly not a YA novel, this book gets picked up as such because of Brashares’s Traveling Pants series. The most YA-ish part is the somewhat touching (but more than a little creepy love story) between Sasha and Ray. But the novel is really about family and how blood lines and even living arrangements don’t define it. It’s a moody and lyric work (and a bit hard to track at first, thanks to all of its characters), but a decent heartfelt story about divorce and its aftermath. It's not a children's book.
Saturday, July 15, 2017
Having a wedding planner for a mother can teach you a lot about weddings, but when it comes to love, Louna has only Ethan to go on. And the brief and intense relationship with him could hardly be considered typical, in that it ended when Ethan was tragically killed in a school shooting.
It's hard to find anyone who can measure up to that. Louna has little interest in finding a replacement, especially not Ambrose, the entitled son of a client who comes to work weddings with them during the summer before college. But, as one might predict, with time Louna comes to see Ambrose as a viable partner.
The release of a new Sarah Dessen novel is a Big Deal in the world of Young Adult literature. As one of the most commercially successful (but critically overlooked) contemporary authors in the genre, getting a hold of her latest book is an Event. She writes exceedingly well, but over time I have found her stories more and more formulaic. There's only so far one can go with white suburban North Carolina girls just graduated from high school who meet maddeningly cryptic gentle and intelligent white boys with little or no family of their own in the picture. She writes these girls well and always manages to include interesting quirks and ideas, but they are largely interchangeable. The story about her doomed relationship with Ethan, the shooter victim, while way over-the-top as a concept, was actually the most original part of the story and more interesting that the rough and tumble of her thing with Ambrose.
In sum, it's an average Dessen book. Not one of her best, but still so much better than almost anything else out there.
Friday, July 14, 2017
Getting her father to take a vacation and stop moping around the Flywheel Café was Delilah’s genius plan. He'd used managing their cafe in Sydney as an excuse to not get way but she assured him that they could manage for a few weeks without him. So when their manager gets deported and Delilah has to start skipping school to take care of the business, she doesn’t have the heart to tell her Dad to come home. He’s having so much fun traveling. Besides, she can keep it going for a few more weeks.
But then her dad’s travels take him longer away and things start to go seriously wrong: a competitor is driving them out of business (with the help of a disgruntled ex-employee), Delilah’s inability to cook or manage isn’t helping, and her hopeless crush on a beautiful Flamenco dancer isn’t going much better. One disaster follows another and everything Delilah does seems to get them into a worse position.
Initially, I found Delilah’s character annoying. Her decisions to skip school (driven more by her fear of bullying than the need to keep the restaurant going), lying to her father about what was happening at home, and generally avoiding confrontations was hard to admire. It certainly gave her a lot of room to improve though, so there is lots of personal growth to observe. Over time, Delilah improves and, in all fairness, her character flaws grow more endearing. Beyond that, the oddball collection of characters was compelling enough to keep the story interesting. A glossary of Aussie slang at the end of the book was interesting but largely unnecessary for reading and enjoying the story.