Saturday, October 14, 2017
But can love really be created through melodrama and subterfuge? Desi's determined to find out and, with a focused ambition that has made her the class valedictorian and is potentially sending her to Stanford, she's going to give it a good shot.
I had never heard of a "K-drama" before so I love the idea of building a story around them. Moreover, the story pays loving tribute to the genre by creating equivalents for all the absurd and over-the-top plot twists that the stories apparently rely upon.
But there's a creepiness to the story when taken at face value. Desi literally endangers Luca's life on several occasions in order to gain his attention. And despite Luca's attempt to point out that drama doesn't really relationships, the happy ending makes it clear that Goo thinks he's wrong. And the author's late claim that Desi isn't defining herself by her ability to snag a boyfriend isn't very convincing. Her's Dad's reminders that a boyfriend isn't everything is largely lost in the din of the plotting. The story is intended to be humorous and perhaps it is better to just not read it seriously.
Provence in 1241 is still recovering from being besieged during Innocent III’s crusades. It is a land wracked by fear of the power of the Church and its Dominican inquisitors. And it is precisely the wrong place for a young woman named Dolssa to appear, claiming to be in direct communication with Christ and performing miracles wherever she goes. Sentenced to be burned as a heretic, she escapes and is rescued by three sisters. They themselves are struggling to get by but grow fond of Dolssa when she heals the youngest sister. As one would expect, it all ends very badly.
A rich and well-written story. As one would expect, there is a certain amount of anachronistic modern behavior among the largely independent young women, but it makes for good reading. Dolssa remains a bit of a cypher, but Botille (the middle of the three sisters) is endearing. I’m too familiar with the history to feel indignant about the injustices that Barry wants to illuminate, but I imagine that much of this will be new to young readers. Still, the book’s purpose is to entertain and it certainly performs that function.
Friday, October 06, 2017
Janna’s world swirls around “saints” (girls who are too good to be true), “misfits” (girls like herself) and the “monster” Farooq (the boy who assaulted her). And while she’s every bit a contemporary teenager, she knows she can’t out the monster, because he has such a pious reputation in the local Muslim community. The fact that Janna herself is not a saint (she’s been crushing on a non-Muslim) doesn’t help matters.
The plot is nothing particularly remarkable -- mostly plodding through a few events in Janna's life like an Islamic knowledge competition and a very restrained romantic flirtation. The conflict with the creepy monster pops up here and there but doesn't dominate (and actually seemed unnecessary to me).
The striking thing about this novel is not the story, but the character of Janna herself. As a contemporary hajib-wearing American girl, she is a striking protagonist. It’s far too easy to assume that wearing a hajib (or a more-restrictive naqib) is reactionary and thus the wearer must be as well, but Ali’s book challenges this, showing Janna to be a very normal American adolescent who finds covering her head empowering. She’s articulate on this point and there is a fascinating aside about whether controlling who can see what is a form of empowerment. Let's face it, there simply aren’t characters like this in books, let alone YA. She is intelligent, sympathetic, and friendly – the sort of person you want as a friend – with an utterly normal social life. Yet still a devout Muslim.
That Ali shows how Muslim teens are normal is another plus of the story. That they can be so and also be devout is another plus. And if there’s anything that’s rarer than a positive portrayal of Islam, it’s a positive portrayal of religion in any form. Here, religion is not a source of conflict but a source of support. Even the restrictions on her dating choices is approached and handled with sensitivity far beyond the usual adult-child stalemate and hysterics so common in YA.
But she is not alone. There is Will who has been traveling the other direction, from 1927 towards the future. And there is a professor at the University who may understand what is going on, although getting help from him will be challenging as he becomes younger and younger every time she meets him. What becomes clear as her voyage unfolds is that it is being driven by unfinished business in her family's history.
A curious time travel tale that I admittedly enjoyed most of all because of its setting (it's sort of fun to read a book that takes place in a town I know very well).. The pace of the story is brisk and the logic holes (usually quite glaring in this particular subgenre) are kept to a minimum. The romance plays out a bit weird since it's in reverse for one of the characters so there isn't much heat to it (a similar problem befalls all of the character development outside of Abbi). So, this isn't a memorable read, but it's still quite pleasant entertainment.