Friday, November 24, 2017
Strikingly, the one thing not discussed in this novel is Genesis's feelings about her pregnancy or its termination. Beyond a few fleeting references to the procedure itself, Pipkin skips over that subject. It doesn't seem very realistic, but it's a shrewd move to keep the focus firmly on Genesis's struggles with her self doubt. That makes her come off as self-centered (an accusation that more than a few of her friends launch against her) and her steady problems with amnesia don't help much either. She's a hard character to sympathize with.
Furthermore, the story is a mess. Important plot details (like the boyfriend's feelings about the abortion) are slipped in at inopportune moments. The subplots (like the mother's depression) struggle to make sense within the rest of the story. And the script format for the flashbacks is awkward. Of all of the devices, the convention of juxtaposing aftercare instructions as chapter titles with story developments worked pretty well though. This is a rough work.
Sunday, November 19, 2017
That wild girl side has given her quite a reputation, but it's hardly deserved. Still, everyone seems to have a pretty low opinion of her, including her aunt (who's convinced that Darcy is a bad influence on Nell, her cousin). What no one realizes is that Darcy and Nell share a secret that is eating them up and losing themselves at mindless parties is how they cope.
This novels works best as a mood piece for me. French brings lots of color and character to her rural Maine setting, but the story is muddled and I found the characters largely interchangeable. The great shocking conclusion comes pretty much out of left field (or so it felt). Truth be told, I just couldn't get into keeping up with all of the characters, so that probably made it hard to track the nuances of the story. I do know that I enjoyed just reading it and letting the characters and the events float by me. Sometimes, you just enjoy reading a book for the places it shows and the mood it gives you. And that's pretty much how I ended up feeling about this story.
Friday, November 17, 2017
At first, Gavin's kindness (and frequent escapes to his supportive family) seem to be providing the escape she was wishing for. But the relationship sours and slips into a destructive cycle, eerily echoing her mother's own abusive relationship with Grace's stepfather. Gavin is jealous and paranoid. He demands that she stay away from her friends and starts spying on her. Without warning, his mood turns dark and his behavior violent. And Grace, groomed to take this type of abuse from her stepfather, willingly accepts and embraces the dynamic. Despite constant efforts by her friends (and even her parents), Grace is unable to pull away.
The result is a harrowing and unrelenting tale of a destructive relationship, which unfortunately rings true. It takes a special level of dedication (or masochism) from the reader to work through it. I did so in hopes for redemption in the end. It comes, but is far too brief and rushed to offer a good pay off for the suffering that we endure along the way. Instead, the major value of the book in the end is its unflinching portrayal of an abuse. That has education value but makes for a grueling read.
I'd recommend Sarah Dessen's very similar novel Dreamland over this book -- a novel that is just as devastating, but did a better job at focusing on the psychology of a young women slipping into madness.
Friday, November 10, 2017
A romance of sorts between two complete opposites. Some great pain is expended to explain the plausibility of this odd couple, which in the end kills some of its magic. David is apparently quite handsome and comes from a family of social royalty (his older sister spins in Kit's world). Kit is more open-minded than her peers.
Overall, the two of them do make a great couple. I ran hot and cold on Kit. She could be nice and kind at times, but was mostly self-absorbed. Some of my lukewarm reaction is due to the harsh way she deals with her mother's indiscretions, but in general Kit is self-absorbed and has trouble showing sympathy towards other. David, on the other hand, is hard not to like. He puts himself in some pretty awkward situations, but his honesty and kindness shows through.
Certainly, when one can critique a character that is complex enough on paper to have faults and strengths that one can have strong opinions about, something is going right. I found the plotting and storytelling a bit drawn out (and cared very little about Kit's various micro dramas), but I enjoyed Kit and David enough that I didn't really care what they were doing. So kudos to Buxbaum for crafting a complicated relationship that is fun to read about.
Thursday, November 09, 2017
All of these works are solid, but there are a few that really stood out for me. Matt de la Pena's story of a boy's quest for an understanding of basketball and of his father is poignant and touching (as the topic lends itself towards being) but transcends the usual male-bonding-over-sports theme. For different reasons, I also enjoyed Grace Lin's brief historical fiction about a female Chinese pirate. It's entertaining, yet fits in a nice plug for female literacy along the way. Finally, I give an honorable mention to Tim Tingle's Indian fable for making me laugh and for being the story most imbued with ethnic color.
I wish that we were at a stage where diversity didn't need its own collection. These are good stories that would have enhanced any anthology of short stories.
In a misguided attempt to impress her friends, Margot took her father’s credit card and ran up $2600 in charges. Now, to pay it off, she has to spend the summer working at her family’s grocery store in the Bronx. She hates the place and everyone there thinks she’s a stuck-up princess (which she sort of is). But she thinks she can survive the summer (and hide the shame from the girls at school whom she is trying to impress).
But just when she feels like she's working things out, an annoying boy from the neighborhood has a habit of showing up her hypocrisies. And with everything going on around her, Margot is struggling to keep things together. The store is missing money. Her father and her brother are acting weird. And the neighborhood is changing too – gentrification threatens the community and the family store may not survive.
Sassy and trendy, with a firm grasp on urban argot, Rivera captures the setting well. But that color aside, she also builds a great story full of vivid characters. There are so many things going on in the story that people can pretty choose whatever they want. My own choice was to latch on to the socioeconomic tensions between the rich white world of her Margot's prep school and her family’s roots in the (poorer) world of the South Bronx, and her valiant struggle to bridge that gap.
Friday, November 03, 2017
In the year 2065, Adri has been chosen as a candidate to join a team of terraformers on Mars. It's a one-way mission, but that doesn't bother Adri because she's an orphan with no close family. But before she leaves the Earth, she must undergo training out in Kansas. There, she is lodged with a previously-unknown distant relative named Lily who lives all alone in an ancient farmhouse.
Bored out of her mind in the middle of nowhere, Adri explores the house's secrets. She finds a packet of letters and an old journal that recount a family history that Adri has never heard of, stretching back to the 1920s and 30s. As the stories of these people from the past unfold, Adri uncovers a complicated tie to the past that Adri has never imagined.
A beautifully written story that ties together the lives of three young women separated by decades. Never actually meeting, they are nonetheless interconnected. Some of the things that tie them together are concrete (the old house, Galapagos the tortoise) but far more of the stories’ connections are subtle shared traits. Each of the stories, while authentic to its period, is engrossing in their own right. Even Adri’s story, which could have easily fallen off a cliff and buried itself in fantasy, is centered on a human element that transcends the down-to-earth vision of the near future. The result is not really YA and it will appeal to adults as well.
A tight ensemble piece, each of the characters have a clear and distinct personality. Ingrid, of course, shines the most strongly and is a sympathetic and appealing heroine. She is fiery and opinionated, but fragile at the same time and wears her heart plainly out on her sleeve. Her relationship with her mother, a fading opera diva, is complex and highly nuanced. Her dramatic arc, while seemingly predictable, takes an unexpected and devastating turn at the end that provides a surprising payoff for the reader.
This is a mature book, full of older teens who are worldly and wise. They speak frankly and honestly, and there is little wasted here on trite intrigue. A huge part of the appeal of this book is that honesty, featuring conversations that matter and resonate with the reader. It's not that the story is particularly new (there have been many stories about teens facing nature and the elements), but that it treats those young people with tremendous respect (without making them behave like adults). Highly recommended.