Saturday, May 30, 2020
Each step of the way, her challenges grow harder and harder, and she finds herself penguins and ant colonies, going into outer space, and rescuing lost kittens. Through it all, Lenora cleverly subdues her foes. But the final challenge is the scariest of them all: facing off to the Forces of Darkness (as represented by the Board of Trustees) who are trying to remove books from libraries and promote "profitable" libraries. She must prove that she has what it takes to be a librarian and a defender of the library's motto, "Knowledge is a Light."
It is a fairly silly middle reader with a not-so-subtle message about the value of libraries and freedom of the press. Things get a bit over-the-top at the climax but it all makes sense in the end, in a poignant way. I enjoyed the book but it won't take you long to get through it. I read it in just over two hours.
Thursday, May 28, 2020
For Dad, going back is a definite "no-go," but now it seems that they need to do so. When Coyote learns in a call from her grandmother that their old neighborhood park is about to be dug up, Coyote knows she has to return. Five years ago, a few days before the tragic accident, Coyote, her mother, and her sisters assembled a box full of memories and buried it at that park, intending to return to it years later. Now, it is perhaps the only physical remnant of that part of Coyote's life and it is about to be obliterated by the excavation. So, Coyote launches a desperate plan to trick her father into driving across the country to rescue the box before it is gone forever. It will take a lot of cunning, some dumb luck, and a huge cast of oddball characters to make it happen.
A road trip novel is made or broken by the adventures and the strength of the characters met along the way. Part Room on the Broom and part Captain Fantastic, the adventures here can strain credulity, but the diversity of characters more than make up for it. There's a gentle and plausible dramatic arc as Coyote and her father gradually reach the realm of acceptance and crawl out of the shell of denial that they have lived in for the past five years. And, along the way, their fellow-travelers have their own revelations.
The novel pays back handsomely. It's briskly paced and entertaining. While not a deep read, there's enough emotional pay off to make this much more than some light middle reader.
Monday, May 25, 2020
She's not the only one having difficulties: her father won't get dressed or leave his room and her parents are in fact splintering further apart. And Rain comes to realize that her family are not the only ones suffering from changes and loss. Frankie, a girl in their apartment, has lost her best friend. Nestor, a homeless man in the neighborhood, has lost the job that gave him security. The gentrification of their neighborhood has caused many people to lose their homes and their livelihoods.
As the first anniversary of her brother's death approaches, though, Rain comes to realize that there are plenty of things to be gained. Life is full of losses, but it also contains victories.
It's a good book with no particular surprises except for the unexpected philosophizing on the emotional impact of gentrification on a neighborhood, and the lack of much on death, leaving old friends, or depression. All three of these latter topics come up, but Stoddard doesn't want to dwell on them (and surely enough has been written on them already to make that excusable!). Instead, this is really about Rain's reset to living in a new home, making new friends, and finding her place in the community. It's a joyful story full of kindness and affirmation.
Sunday, May 24, 2020
So, Clara decides to take action. Leveraging off of a community service project she did that set up little community libraries around town, she sets up drop sites of banned books around the school in abandoned lockers, making them available to the students and encouraging them to be read. The idea takes off explosively, as her classmates grow curious about what they are not supposed to be reading. But when tragedy strikes and Clara's future is put in jeopardy, she must decide if her actions have been driven by the right motives.
Any book about free speech and libraries is going to be acquired by any decent public library (acquisitions librarians can't get enough of the things -- it's like cookie dough to them!). That doesn't mean that it will necessarily be a good book in itself, so I approached this read with skepticism. Some parts of it really annoyed me: the tired repetition of the same four or five books (we DO realize that lots of YA classics are banned, right?), the same boring arguments pro and con, and the rather clueless way that Clara approaches her rebellion (how on earth could she be surprised that her actions would go unnoticed?).
But then, other parts of the book surprised me: the changes of hearts in the educators, the recognition that even good acts can have bad motivations, and some nice insights about the power of act of reading (as opposed to tired cliches about the power of words). As a result, I came out of this with a mixed review. The book won't change your perspective about freedom of the press, but it might make you think harder about the importance of reading in and of itself.
Friday, May 22, 2020
She's curious about that heritage: what it means to be Muslim. Her father is largely lapsed and has discouraged Allie from practicing Islam, so she launches out on her own, finding a study circle of young Muslim women and learning more about the faith. As she learns more, she struggles with what she believes and with wondering where Islam lies within contemporary American society. Should she pray? Should she continue to date? Should she veil? Should she fast during Ramadan? And how can she explain to her atheist father why all of this appeals to her? Allie's clearly modern and open minded, but drawn to the traditions of the faith and the bonds it helps her form with her family (especially her grandmother).
It's a thoughtful exploration of spirituality and faith. There are plenty of political dimensions to this story, but I'm drawn to it for its spiritual quest. There are few Young Adult books that are respectful about religion, let alone embrace the pursuit of it, so the affirmation of Allie's search is a welcome addition (to put this in perspective, Converting Kate by Beckie Weinheimer -- published in 2007 -- is the most recent book in this subgenre I have read).
Courtney has a lot of ground to cover. One particular agenda items (arguing that Islam is not necessarily a misogynistic faith) can lead to some stilted dialogue, but I think her point is well made. The side plot about whether Allie should date or not is less developed. It suffers from really being two questions: how Allie should reconcile her relationship with her boyfriend when his father is a famous bigot and how Allie can justify dating of any sort when more conservative Muslims believe that dating is forbidden altogether. It never really gets successfully sorted out, and perhaps cannot be. Allies's reconciliation with her father (and perhaps her efforts to reconcile her father with his faith) is a final element of the story. By this point, we're basically totally exhausted so I'm glad she doesn't spend a huge effort on this thread. But it also reaches a satisfactory partial resolution.
It's a long book and not always as tight as it should be. But life is messy and Courtney raises many thought-provoking questions in an entertaining story.
Sunday, May 17, 2020
She knows from the start that she wants to terminate the pregnancy but the closest abortion clinic (that won't notify her parents) is in New Mexico -- a thousand miles away from her in Missouri. She doesn't have a car and is loathe to confide in any of her friends. But there is one person who could help: her nemesis and former best friend Bailey. Bailey hates her just enough to be willing to help her get to Albuquerque. A very funny road trip ensues.
Obviously, if you have strong feelings about abortion, this book's probably not for you. While not quite a comedy, it certainly doesn't dwell for too long on the ethics of the procedure. But while light-hearted and even funny at parts, the story is serious when it needs to be. It succeeds largely by side-stepping the usual tropes (guilt, mourning, and anger) that usually feature. Instead, we get treated to some spunky feel-good celebration of independence and liberation, and whole array of crazy guest appearances.
Overshadowing the story for me was the announcement on the cover that the book is already optioned for a cable movie (at this time, in post-production, with no release date announced). That proved very distracting as I kept trying to imagine how all of this would look on film. To be honest, the story really isn't strong enough to merit a film, but it probably won't suck either -- pretty much like the book.
Saturday, May 16, 2020
Last semester Kris and his friends vandalized Addie's lab, getting themselves thrown out of school. To make amends and potentially be allowed to re-enroll, Kris gets enrolled in Addie's experiment. This has an unexpected (and unrelated) problem: every experiment where Kris and his partner get set up backfires in some spectacular way. Where Kris is supposed to rescue the girl (and thus spark a romance) the person who ends up needing rescue turns out to be Addie. And despite their torrid history and the test plan, Addie finds herself falling for Kris, which both proves her theory and invalidates the experiments.
This Emma-esque plot tries to liven up the rom-com with a bit of neuroscience. It's cute, but a bit convoluted. Addie's confusion about love seems more from being on the spectrum than from any confusion -- she just doesn't read people well. That makes her eventual falling for Kris less plausible. After all, she doesn't suddenly develop the cognitive skills to read faces. Thus, where it tries to be different, it just gets muddy and hard to understand. Cute title, but fairly predictable.
Monday, May 11, 2020
In Petrograd in the spring of 1917, it is obvious that things are falling apart. The Tsar has stepped aside to allow the liberals and socialists to form an ill-fated attempt to keep Russia in the War. Nonetheless, Russia is losing. On the sidelines, Lenin and his Bolsheviks are set to strike when the opportunity presents. For a young woman like seventeen year-old Katya, there is an itch to do more than work in a munitions factory. So when an announcement goes out that healthy young women are being recruited to serve in combat roles and form a batallion made up entirely of women, she and her friend Masha answer the call. Training is brutal and rushed and soon enough the young women find themselves on the front line.
Given how desperate the Russian position was in the Summer of 1917, it's hard to read this story with anything but dread. The Revolution is still months away (and the book doesn't venture beyond July) but like a grenade with a pulled pin, all signs indicate that an explosion is inevitable. That a group of young women trained and fought with exceptional valor not only against an overwhelming foe, but also against sexism and discrimination from their own comrades makes for a thrilling ride. It is an amazing story and well researched.
Be forewarned that the novel features graphic and intense violence.
Saturday, May 09, 2020
But the first night, while Maddie and Brekken are off reigniting the fire between them, an incident occurs. The result is a dead body, a missing bodyguard, and the Innkeeper fallen into some sort of coma. Someone is trying to sabotage the Summit and perhaps much worse. With the Innkeeper incapacitated, Maddie has to step in and take over her uncle's role. Furthermore, she needs to find the killer and determine what they are up to. This leads her into a series of evolving and expanding mysteries. Full of twists and turns, the mystery builds to a stirring climax.
Surprisingly entertaining. As the first of a series, Havenfall is mostly about establishing the stage. A lot of energy is put into exposition and explaining the complicated politics of the various realms, but the story is far from dull. There's near constant suspense as characters cross and double cross each other in ever more creative ways. The story is not always as organic or as smooth as one might like, but it delivers the goods in the end. Characters also suffer a bit to the action, so that tantalizing views of Maddie's relationship with her family or the romantic sparks with Brekken are never fully developed. Hopefully, that will be forthcoming in the next installments.
Tuesday, May 05, 2020
So instead she discovers a pottery studio, a love for working for clay, and a boy named Casey. Casey in turn convinces her that the strange woman who has been loitering nearby is actually Amelia's long lost mother. That isn't true, but she turns out to be someone just as special.
A very short and quick read, it didn't leave much of an impression on me. Obviously, there's a story (as I summarized above) but there isn't much of a plot and certainly not much of a point. The relationship between Amelia and Casey might have become something, but the mystery woman thread takes off before it can develop. The mystery lady in turn is a bit of a fizzle. I found it dull and full of nice but forgettable characters.
Sunday, May 03, 2020
Hanna is an inspirational heroine. She has grit and determination and the insight to realize that many conflicts cannot be resolved through direct confrontation. Yet, she doesn't back down either and shows little fear of being outspoken even in front of grownups. In this respect, she is more like Anne Shirley than Laura Ingalls. She's the kind of literary heroine that parents want their children to read about.
Her dedication and work ethic are admirable, and she shows many talents including strong aesthetic sense and business acumen (to Papa's benefit). And even though Papa is thick headed in a way common to literary fathers, he is a kind figure. In truth, the good guys (in which we'll include Hanna's friend Bess, the teacher Miss Walters, and Mr Harris) are all nicely drawn characters. The bad guys don't fare as well, but they are there largely as symbols of greater evil (racism, sexism, and prejudice).
The novel has received a lot of attention for being an attempt to "correct the errors" of Laura Ingalls Wilder. As for myself, I am less interested in the politics of the book and more interested in evaluating the novel as a story. That's a little difficult in this case because Park keeps a laser focus on the social injustices that Hanna has to endure. Along with that, Hanna's responses are almost certainly anachronistic. As a result, the political message really becomes the book for better or for worse. That seems like a lost opportunity, as I'm convinced that a story about a Chinese-American girl on the range is intrinsically interesting enough that the heavy stress on the social injustices that she endures, while realistic, is hardly necessary -- a little goes a long way. All that said, I enjoyed the book and recommend it.